22th to 27th sept 09 | Español |
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Alberto Magrin |
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Azucena Losana What's your name? - I don't have any cash – I just want to know your name... – LoCo... dialogue with LoCo. November 12 th 2008. LoCo usually adjusts his bags, uncorks his liquor and goes over conversations that he doesn't share with anybody. What from the pavement seems like nothing more than a monologue of stammers, begins to make sense in a closed circuit presence that forms not just a visual perspective but also one in which his discourse intervenes. The original function of dissuasion and detection within the device, is used to seek out one of the many frequencies that float about the streets of Buenos Aires. This is how we are temporarily able to access what “LoCo” transmits through his presence every day. |
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Silvia Cuenca Sanz / Belén Zahera de la Fuente This work starts from the previous work “Presente Continuo”. It establishes a connection between the dance and the perception of our own body image. The dance is made up of several movements which don't make sense separately but within the whole and apparently continuous perception of the dance. On the other hand, the contemporary body image is less related to any material aspect as it is becoming more and more virtual. Somehow today, we realize our own image through technology and the velocity that it involves. |
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Boris Eldagsen |
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Bruno Strozek Studio |
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C. Barros / Paulo R. |
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Carlo Sansolo Brazil Project: Substancialidade e metodo The video investigates questions related to time. The engagement of the acting subject with history and his relationship to language, aesthetical theories and the kitsh language of the internet. |
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Carlo Sansolo Brazil Project: Migdal Aphek Images of French singers that try to inspire the idea of innocence and tenderness, with glamorous images who try to represent this feelings. While this sort of video was produced the cold war was going wild with many localized conflicts, spying, developing atomic and nuclear weapons. |
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Carlo Sansolo Brazil Project: Panzodiamondo This video is about contemporary life and its facilities, its beauties and lights, and the ubiquity of it. We can go from here to there in a matter of hours, where we have never being before, as everything was made out of fantasy and magic, as work and effort was not necessary, all work is removed. We stay only with the beautiful images of optimism. |
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Sarawut Chutiwongpeti Thailand http://www.workartonline.net/upload/cms/video/chutiwongpeti.wmv Project: The Installation series of Untitled [Wishes, Lies and Dreams] The video art project works focuses on the mechanisms of perception and dreams, the private world of the world of fantasy and unconscious, the conditions underlying the system by which mind and spirit operates. At the same time, the (in)-visibility of the structure ignites a confusion on the viewers\' perception of the work and of the space where it is placed, thus provoking and ambiguous relationship between the object, its function and its appearance, unlock a mysterious force field on the border of the truth and lie, that is able to create unexpected angles of approach which in turn force the viewer to take up a new position in the observation of the surrounding world.” |
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Christin Bolewski Germany Project: Shan-Shui-Hua ‘Shan-Shui-Hua’ is a single screen video installation. Proceeding from Chinese thought and aesthetics the traditional concept of landscape painting ‘Shan-Shui-Hua’ (mountain-water-painting) is recreated as modern video art within the new genre of the \'video painting\', which is a wall-mounted flatscreen panel. The concept of multi-perspective and the endless scroll are explored through digital filmmaking, video compositing and virtual camera, depths and particle systems. Challenging the Western preoccupation with narrative and distinct meaning the work contains no complex narration and attempts to be a meditative open art work. Chinese landscapes usually include small human figures that blend harmoniously into the vast world around them. Man and nature interact and complement each other to reach a state of balance and harmony. The ‘video scroll’ transposes this traditional relation of man and nature into a different, more contemporary Western manner: it uses the figure of the Western mountaineer equipped with special tools and protective clothing to vanquish the highest peaks in order to conquer nature rather than searching for harmonious existence, thus counterpointing Eastern and Western ideals. |
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