9-10-11th may 2007  |  Español

F i r t s    I n t e r n a t i o n a l     C o n g r e s s    A RT   T E C H    M E D I A

on  Palazzo  dell  Arti  di  Napoli

FASTFORWARD ON NEW MEDIA ART. SECOND INTERNATIONAL FORUM
11.22.07 > 11.24.07

NARRATIVE STRUCTURES / PERSPECTIVES AND LIMITS OF PRODUCTION / MAPPING AND NETWORKING / SHARING KNOW-HOW

Alex Adriaansens. V2 - Institute for the Unstable Media, Rotterdam
Montse Arbelo y Joseba Franco. ART TECH MEDIA, Islas Canarias
Paul Brown. Computer Art Society , London
Antonio Caronia. Accademia di Belle Arti di Brera, Milano
Mario Costa. Università degli Studi di Salerno, Salerno
Geoff Cox . University of Plymouth, Plymouth
Amanda McDonald Crowley. Eyebeam, New York
Dieter Daniels. Ludwig Boltzmann Institute Media Art Research, Linz
Kelli Dipple. Tate Modern, London
Michele Emmer. Universitià di Roma "La Sapienza", Roma; Leonardo, ISAST, San Francisco
Rosina Gómez-Baeza Tinturé. Laboral - Centro de Arte y Creacion Industrial, Gijón
Johann Holland. Institute of Research and Innovation - Centre Pompidou, Paris
Jon Ippolito. University of Maine, Orono
Yael Kanarek . Upgrade! International, New York
Simona Lodi. Share, Torino
Barbara London. MoMa - Museum of Modern Art, New York
Alessandro Ludovico. Neural, Bari
Emma Quinn. ICA - Institute of Contemporary Arts, London
Wonil Rhee. Curator, Seoul
Berta Sichel. Museo Nacional Centro de Arte Reina Sofía, Madrid
Yuliya Sorokina. Curator, Alma-Ata
Valentina Valentini. Università degli Studi di Roma "La Sapienza", Roma
Atsushi Wakimoto. Japan Media Arts Festival, Tokyo
Lori Zippay. Electronic Art Intermix, New York

advisory board
Laura Bardier, Julia Draganovic, Marina Vergiani

The second edition of the international forum fastforward on new media art includes a number of events and debates designed to explore the analysis of the relationship between new media art documents and works. The commitment of PAN Documentation Centre to set up an art archive – and in particular to establish a collection of digital art works – is combined to the goal of promoting a reflection on the variety of experiences and on the subjective nature of research in the field of new media. Today, manifestations of digital arts concern not only the art works, but also a variety art institutions and research centres. This year the international forum widens its scope and becomes one of the cultural initiatives promoted by the city in the framework of participation in the Universal Forum of Cultures of Monterrey. In this edition the contents have grown and look fast forward, indeed fastforward on new media art, to 2013, the year for which Naples has submitted its candidature to host the major event promoted by the Unesco. It is a choice which goes hand in hand with the will to record experiences and opinions on the development of production processes, curators' approaches, exhibition projects and archive systems, dedicated to the new media art. In particular, in this edition contemporary art merges with other art languages and touches the most urgent issues of the contemporary world, mixing its experimental and multimedia languages and collecting contributions distributed across the four themes which constitute the conceptual core of the Universal Forum of Cultures: peace, sustainable development, cultural diversity and know-how.

The working sessions on the agenda at the SECOND INTERNATIONAL FORUM FASTFORWARD ON NEW MEDIA ART relate the four lines of research of the PAN with the four themes of the Universal Forum of Cultures:

PEACE / NARRATIVE STRUCTURES
It is necessary to keep a constant thread, to carry out research on the function of Art in contemporary society, on the artist's role in social formations, on the ability of works and documents to communicate the ‘common good', to re-create the positive conditions of individual and collective experience, in a language that uses visionary tools to express feelings, stories, emotions completing the rational sharing of will and ethics. About art creations, one may say what Jacques Monod said about science “the candour of a new look (the look of science always is) can sometimes shed new light on ancient problems”

SUSTAINABLE DEVELOPMENT / PROSPECTIVES AND LIMITS OF PRODUCTION
In modern debate, the role of technologies in bringing about transformations into our present is widely recognised: material conditions of everyday life, political and social relations, cultural exchanges between different subjects and contexts – they are all simultaneously structured and de-structured as a consequence of the massive introduction of variable instruments and media. The deep involvement of the institutions working in the different fields of contemporary art becomes thus evident. The challenge is a major one, as it concerns above all the possibilities of spreading and circulation offered by technology (thus possibilities which involve creation, use, preservation) and, more in general, the visions which can make a cultural medium relevant and devastating in a media-saturated world!

CULTURAL DIVERSITY / MAPPING AND NETWORKING
New media art is the expression used to define works which are created, related and, however, used through innovative and unstable technologies since the mid- 20th century. The disciplines usually included in the expression new media art are: cell phone art, computer art, digital art, electronic art, finance art, generative art, hacktivism, information art, interactive art, performance art, robotic art, software art, sound art, video art, video game art.

KNOW - HOW / SHARING KNOW-HOW
Even art expressions give rise to aesthetic forms which can be referred to the potential and varieties of the so-called new media. As in a response to these transformations, the very approach to art history and criticism changes due to the appearance of new forms of ‘global and cyberspace culture' and to the impact of digital media on the very concept of intellectual property. The whole range of art expressions identified by the new media is among those effects of technological innovation which is based on the application of contemporary scientific research.

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-- books
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-- Strategic Plan
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-- official opening
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