ARTFUTURA
JAPAN MEDIA ARTS
FESTIVAL
ARS ELECTRONICA
MUNDOS DIGITALES
STREAMING MUSEUM
NEW YORK
CINEWEST. SYDNEY
CYBERBROTHERS.
MOSCOW. RUSSIA
DIGITAL LANDSCAPE
Curator´s Programme
- ARGENTINA
- UK
- SAMVAAD II
- BRAZIL
MIDEN
KMUAK
GAME on!
PUNTO RAYA
ATTRACTION OPPOSITE
MediaDOME
EL MUR
FIVA
CIEVYC
PALERMO UNIV
Made in CANARIAS
DIGITAL IMAGE
Arts Science Innovation
sponsors & collaborators
programme
venue´s photos
event 2009
event 2010
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UK
http://rednomade.wordpress.com/
http://www.blackduckarts.blogspot.com/
PLATFORM 0
Red Nomade and Black Duck, with the collaboration of Sabrina Osborne, present Platform 0, a screening program specially curated for the international festival Espacio Enter
Black Duck undertakes curatorial projects to promote the work of contemporary artists working in performance, installation, digital media and video to an international audience. Projects include participation in festivals, international exchanges, exhibitions and events.
RED NOMADE is an international cooperation project interested in the exchange of contemporary artists and intellectuals. The collective aim is to generate artistic, cultural and academic events in different cities in order to facilitate the meeting of visual artists, art critics, curators, writers and intellectuals.
RED NOMADE presented in this edition, an interesting selection of recent releases by artists from Portugal, Argentina, Brazil and Spain.
Deco Nascimento & Tatiana Travisani
Brazil
Paisagens do Quase Nada is a video created by Deco Nascimento and Tatiana Travisani, brazilian artists based in Valencia (Spain), which intercalates simultaneous events of the natural sceneries and human action that is present and absent in the territory. The video tries to break with the contemplative and intangible function of the nature, aiming at its transformation and although it seems of small proportions to the human’s eyes, it is continuous and vigorous.
The artists: Tatiana Travisani was born in São Paulo/Brazil, began his video
production in 1998. Have a master’s degree in Visual Arts at the
UNESP/São Paulo. Currently is a PhD in Visual Arts student at the
ECA-USP/São Paulo, and is doing an residence research at the
UPV/Valencia.
DeCo Nascimento was born in Olinda, Brazil. Finished a master’s degree
in Visual Arts and Multimedia at the Facultad de Bellas Artes San
Carlos, Valencia. Currently is a PhD in Visual Arts student. Develops
his work in sound art researching synthesis methods and investigates
the relationship between sound and memory affective.
Eduardo Romaguera
Valencia / Marsella
Eduardo Romaguera is a Valencian artist established in Marseille, where he developed his work. Between painting, drawing and video, Romaguera has made intimate and original work. In his creations, the forms are transformed as it flows colors, backgrounds and objects within the canvas or video. On the other hand, the artist explores the depths of naked concepts, creating pieces where humor, play and inhibition are presented to the viewer as a series of riddles. His work has been shown in numerous galleries and international festivals, like the Gallery Cimaise in Switzerland and the Punto y Raya Festival in Barcelona.
Burgos. Spain
Using Google Earth, are recreated the perspectives of the images broadcast on Spanish television of the riots which occurred in Syntagma Square in Athens in 2011.
Bio: Mario Santamaria [Spain, 1985] works about the visibility, the image´s production regime and it´s accesibility in real time. This area frequently uses manifestations or symbolic strategies from the past, and his aim is to test them in a delegitimisation of cultural practices and as meaning factories. Mario’s media are photo, video, internet and multi-media instalations.
Since 2010 has been grouped a series of works under the name of Streaming Actions. A different set of online actions, based on interference and forks on video signals in real-time, all work virally on the net.
Currently work with Julian Pacomio and Javier Arbizu, Depicting Juba, a project in the independent of the South Sudan in 2011. A file with a collaborative mapping which involved more than one hundred people, which interpellate the relationship between image, history and technology.
3S is a video-fragmented and composed of severalshorter, whichinvestigates and explores thetemporality of the camera recording, thecameraman’sown time andthelost time of the actor. An experimental exercise, throughfound-footage, politicalharangues and poetry of movement-image, set up anexplodedpieceproposes a reflectionontherealitycapturedthealien and the actual archives.
Bio: My work focuses main lyon the field of video, itssubstance and itsspatial arrangement. Evolving my pieces come from single-channel video more contemplative, poetic and closeto performance art and theeveryday.
While this internal structure was based conceptual, experimentation became what external display mode: I focused on video projection systems, making my research in a quasi-empirical fieldwork. Test-moving light projection on various materials such as mirrors, plastics and acetates. Intrigued by the power of light and its mutationon materials, continue to work its substance. More info on javiermarisco.com
- THE ANTHILL
Spain
Both pieces are part of the Simple Analogies series, in wich the artist proposed small afterthoughts through a conmutation game between moving images and the sound that completes it.
Damià Jordà was born in Alcoy, Spain and since 2004 he developes his artistic work through the new forms of video-creation. Is Master in Visual Arts and Multimedia and manages the digital video-creation travelling series SCREENS. By now he’s developing his PhD Thesis in the Polythecnic Univesity of Valencia, and working in media reserach projects in Medialab Usal, belonging to the University of Salamanca.
Damián Linozzi
Argentina
Voight-Kampff Test existed because the machines always tried to mingle with humans.
Both pieces are part of the Simple Analogies series, in wich the artist proposed small
Damián Linossi: Córdoba, 1985. Lives and works in Córdoba Capital. Studied Visual Arts at the School of Arts at UNC. Major Exhibitions: III Premio ITAU cultural a las artes visuales, C.A.B.A; Buenos Aires; Mar del Plata, Buenos Aires; Premio CLADEM a la fotografía, Buenos Aires; XXIII Salón Ciudad de Córdoba, Córdoba; II Premio AAMEC de Fotografía contemporánea, Córdoba; Version 10 Fest Territories § Infraestructures, Chicago; VideoFest 2009, Córdoba.
Argentina
A worker in an offshore oilplataformiscaughtby a technicalfault. A woman in an office istrappedbythespeed of world that mutates within creasing speed. Two points of intersection between multiple points in the weakness of what mankind will never overcome: the leak.
Born in 1984. Studies film direction at IUNA [instituto universitario nacional del arte] and takescourses of post-production at SICA. As director, scriptwriter and editor, has gotfour short films: “El Demócrata” [2011], “Derrames”, [2011], “Interestratos” [2009], “De cómo A venció al Anomal” [2007] and a video clip entitled “Gareca” [2010] for the indie post punk band “Olfa Meocorde”. Hesthefounder of “La Conciencia Films”. In 2010, as a member of the non profi tfoundation “FundeSur”, obtained the support of “Fondo Nacional de las Artes” for the documentary project “Onthe Road”, which is currently on development stage. At 2011 was selected to attend to the 6th edition of the “Buenos Aires Talent Campus”. At 2012 recieved support from “Fondo Metropolitano de la Cultura, las Artes y las Ciencias” for his short film “Derrames” and was selected to attend to distribution encounters with Manuel García during the Buenos Aires Talent Campus 2012. Currently he’s at development of his feature film, entitled “Los Exiliados”.
The Project in wich we are working it a study in progress about perception, centralizad in the use of digital tools to materialize art pieces of different formats, focused to an evolution of abstract ad kinetic art, with special mention of Op art.The creation of these art pieces come from the concept of interrelating: geometry, color, mouvement and sound, using the languages developed in the concetual territory of abstraction, in the context of new Technologies and new ways of producing/diffusing the art work. We are interested in using programming from a visual and creatice perspective exploring the results in art pieces.
Cristina Ghetti is an Argentine artist living in Valencia, Spain. The visual art tendencies based in geometric abstraction orient conceptual and formally the art work she is developing since some years ago. Her production had been mostly centered in painting and instalation, recently she begins to incorporate new mediain her work master de artes visuales y multimedia at the UPV, Polithecnic University Valencia, Spain, she actually develops her doctoral thesis “Post Medial Geometry”, investigating the development of new geometries in visual arts. http://www.cristinaghetti.com
Emanuele Mazza, artist and indipendent researcher of Laboratorio de Luz since 2005, he have participated in develop of various interactive installation projetcs related with the electronic art area, like d3sombra, a personal work presented at Ars Electronica 2006. Is the autor of gamuza, an open source software project, based on / developed with open frame works creative coding c++ framework, designed for developing purpose-independent interactive installation mainly based on video tracking techniques. http://www.d3cod3.org/