::::ESPACIO ENTER

editions - - - - - International Festival of Creativity, Innovation & Digital Culture - - - - - contact--

Red NOMADE. Curator: Cristina Ghetti
https://rednomade.wordpress.com

RED NOMADE manages the possibility of "creating connection spaces" to operate from deterritorialized identities aiming to think the cultural map of globalization in terms of "circulation". * Circular: go from one place to another, bring and bring, find, mix and rescue, terms that make sense if they are presented as an authentic possibility of overcoming the resistance of a closed and unique vision of culture.

RED NOMADE generates spaces that allow circulation, exchange and encounter between artists, theorists and cultural managers of different countries and cultures, proposes the "transgression" of borders to make differences and distance a positivity.

THE-QUEEN-OF
BUBBLE GUM
Patricio Ballesteros Ledesma
Argentina

"Keep calm, it will not take me long, the painting is my thing".
"Yes, I can leave the body still but not the head".

In “ H[ÔM]3 ”, Systaime offers explosive mashups of Internet Aesthetics, where information, images and comments provide a frame of today’s Digital Pop culture. The artist remixes web images and uses an audiovisual spectacle to display the patterns that are dominating the Internet, its icons, its manifestations and its digital prosperity. We are the “lucky” spectators of what he chooses to present us. What happens in the video has not much to do with our own lives, but it is more a kind of close esoteric manifestation of this web culture that is part of today’s pop culture.

WALKING_IN BERLIN
Elia Torrecilla, Elena Battaglia
Spain / Suiza
http://eliatorrecilla.com
http://eliatorrecilla.com/La-ciudad-sin-slimites-Berlin-2018

The video "Spazieren in Berlin" (2018) shows the record of an intervention in which folded pages of the homonymous book are inserted (in English: "Walking in Berlín", by Frans Hessel, 1929), in the wall-cracks of the German capital. Each fold has a hashtag (#spaziereninberlin) inscribed, which allows the interested person to access the project information. This minimal urban intervention invites the curious passer-by to discover the world of the small and enter the reading of "Walking in Berlin" - while walking in Berlin.
Video recording: Elena Battaglia

Next 10th edition: 2sd to 7th april 2019 \| Español
editions - - - - - International Festival of Creativity, Innovation & Digital Culture - - - - - contact--

CAMPUS GENIUS CONTEST. JAPAN ARS ELECTRONICA ART FUTURA KIMUAK MIDEN NOW & AFTER. Moscow MADE IN CANARIAS DIGITAL LANDSCAPE & Programa Curators - ARGENTINA - PERÚ DIGITAL IMAGE Videoart Videodance Shortfilm / Film Web Film / 3D Animation Art Science Innovation Artificial life Software art Trangenic art Generative art Bioart Nanotechnology Geospatial storytelling Videogames Robotic Free Software 2D & 3D Animation Net-art Digital communities Social Networks Blog, videoblog Apps development Mobile pltaforms Data visualization Mapping Telepresence about us sponsors & collaborators venue´s photos place event 2009 event 2010 event 2011 event 2012 event 2013 event 2014 event 2015 event 2016 event 2017	ARGENTINA
	Red NOMADE. Curator: Cristina Ghetti https://rednomade.wordpress.com RED NOMADE manages the possibility of "creating connection spaces" to operate from deterritorialized identities aiming to think the cultural map of globalization in terms of "circulation". * Circular: go from one place to another, bring and bring, find, mix and rescue, terms that make sense if they are presented as an authentic possibility of overcoming the resistance of a closed and unique vision of culture. RED NOMADE generates spaces that allow circulation, exchange and encounter between artists, theorists and cultural managers of different countries and cultures, proposes the "transgression" of borders to make differences and distance a positivity.

		THE-QUEEN-OF BUBBLE GUM Patricio Ballesteros Ledesma Argentina "Keep calm, it will not take me long, the painting is my thing". "Yes, I can leave the body still but not the head".

		H (ôm)e Michaël Borras A.K.A Systaime France http://www.systaime.com In “ H[ÔM]3 ”, Systaime offers explosive mashups of Internet Aesthetics, where information, images and comments provide a frame of today’s Digital Pop culture. The artist remixes web images and uses an audiovisual spectacle to display the patterns that are dominating the Internet, its icons, its manifestations and its digital prosperity. We are the “lucky” spectators of what he chooses to present us. What happens in the video has not much to do with our own lives, but it is more a kind of close esoteric manifestation of this web culture that is part of today’s pop culture. Artist of the multimedia and the networks, Michaël Borras A.K.A Systaime is the founder of the movement French Trash Touch, he is an important actor of the international alternative artistic network, the digital art and the art in network. Michaël Borras works on numerous international artistic events as artist, organizer, speaker, art curator . In 2011, he is the inspirator and the founder of the Spamm, the Museum of the Super Modern Arts. Systaime is an artist troll who floods social media with animated gifs, augmented reality collages and politicized glitches. Inventor in 1999 of the “French Trash Touch”, he feeds on iconic saturations of the Internet, multiplies his accounts and identities, posts on Instagram messages gilded with sugary post-porn love, makes acidic music videos for Orties, Asia Argento and Telepopmusic, while DJing and VJing. He works his way into current affairs with his vitriolic remixes of “great men”—his “Silences” series attacks all politicians, from Trump to Putin, leaving nothing but the emptiness of their speeches. Systaime tracks tech ridicule (the bitcoin craze, which he juxtaposes with personal accomplishment speeches in “Bitcoin Abundance”, 2014) in order to “explore our collective digital unconscious”. Systaime ignores hierarchy, superposes and surimposes, confronting us with our human contradictions trapped by the great digital spider. His exhibitions use mash-ups to physically represent digital proliferation (“Systaime Work !n Progr355”, 2017). He federates a new generation through online exhibitions in his Super Art Modern Museum (SPAMM), which has an occasional physical showroom in New York (“Cupcake”, 2013), Moscow (“Spamm Of Virtualism”, 2015), Caracas (“Dulce”, 2013), Napoly (“Philosophy”, 2019).

		WALKING_IN BERLIN Elia Torrecilla, Elena Battaglia Spain / Suiza http://eliatorrecilla.com http://eliatorrecilla.com/La-ciudad-sin-slimites-Berlin-2018 The video "Spazieren in Berlin" (2018) shows the record of an intervention in which folded pages of the homonymous book are inserted (in English: "Walking in Berlín", by Frans Hessel, 1929), in the wall-cracks of the German capital. Each fold has a hashtag (#spaziereninberlin) inscribed, which allows the interested person to access the project information. This minimal urban intervention invites the curious passer-by to discover the world of the small and enter the reading of "Walking in Berlin" - while walking in Berlin. Video recording: Elena Battaglia

		STRIP-TEASE O.R.G.I.A Spain orgiaprojects.org * “O.R.G.I.A” is a fluctuous acronym that means “orgy” in spanish O.R.G.I.A* is a multi-headed monster (those of Beatriz Higón, Carmen Muriana and TatianaSentamans), which since 2001 presents their research and artistic creation around issues related to gender, sex and sexuality, from a feminist and queer/cuir perspective. It is a fluctuating, unstable and bastard identity, which travels through different methodological disciplines obeying their desire and driven by their artistic and political concerns. Their production overlaps and blends with their artistic formation and their vital and researching experience. There are diverse elastic and porous points of view that converge in the same imaginary, where plastic creation is a valuable critical tool. O.R.G.I.A is a heterotopic space in which, once entered, laws, times, and pleasures are marked by the amorphous being that makes it up. Authorship and subjectivity are diluted in “sticky” periods of investigation,debate and materialization. Its peculiar and buoyant activity has resulted in numerous participations in exhibitions of national and international, institutional and peripheral character, as well as inworkshops, seminars, conferences, cultural practices and projects. El strip-tease es una fórmula de seducción que radica en desnudar el cuerpo paulatinamente al sonde una composición musical, convirtiendo el cuerpo en objeto de la seducción, y evitandogeneralmente la genitalidad, en un proceso claramente erótico.El strip-tease O.R.G.I.A sin embargo, subvierte dicho carácter sicalíptico, ya que desplaza la mencionada fórmula a la dimensión de lo pospornográfico a través del zoom anatómico de las frutas-genitales, en un discurso que transcurre entre el desvestir y vestir sucesivo del genital-fruta -con el objeto de desenmascarar ‘la verdad del sexo’- en una especie de peep-show con cuatro mirillas-ventanas que alternan diferentes metonimias vegetales de lo genital.

		836-826 DRIFT Alette Simmons Jimenez USA www.aletttesimmonsjimenez Simmons-Jimenez’s work relates humanity and the natural world. It is rooted in a tradition of art that values vision as well ascraft. She is interested in the dynamics ofpatterns, whether occurring naturally in nature or by design in our daily lives. ---Simmons-Jimenez’swork in multiple media has been exhibitedinthe US Art in Embassies Programin Riyadh & Tegucigalpa; the Frost Art Museum, Miami; Casa de la Cultura, Valencia; the Boca Raton Museum;the Appleton Museum, Ocala; the MOCA, North Miami; the Museo de Arte Moderno, Santo Domingo; the Musee du Luxembourg, Parisand others. Solo exhibitions have been presented atthe Oolite Arts, Miami; Artformz Alternative, Miami; Palm Beach ICA, the Frances Wolfson Gallery, Miami; the Art Gallery/Inter-American Development Bank, DC;Creative Resource Gallery, Birmingham, MI;the Museo de Arte Moderno, Santo Domingo;and A.I.R. Altos de Chavon, La Romana; amongst others.

		JACKMAN La quedada clandestina Spain La quedada clandestina se reúne con nocturnidad y alevosía religiosamente cada primer jueves de mes y bajo ciertas Lunas llenas de cine, y rock n roll, desde hace un bienio. Aglutinando a todo un elenco de personajes reales (y alguno cuasi irreal) preñados de inquietudes, y que mejor sitio para vomitarlas en buena compañía que en su vetusta guarida Cobaltisana, donde se hacen proyecciones abyectas, se forjan guiones, y se ruedan perlas fílmicas. Su último cortometraje: Jackman, rodado desde cero en 4 horas, guión y montaje incluido, toda una muestra de su cine a quemarropa,y partiendo de los acufenos auditivos de una de sus actrices, se nos muestra una escalada goyescamente descrita de los sonidos del silencio y la espiral de demencia en la que resbala el personaje clamando a un cielo lejano y vacío de esperanzas. Cabe destacar la banda sonora que todo melomano y rasganotas reconocerá, la mejor canción Nunca tocada, desde la décima sinfonía de Beethoven..... otro que sabía de la ostia de acufenos.