Next 7 edition: 4th to 13th december 2015 | Español |
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JAPAN MEDIA ARTS |
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-SHORTFILM / FILM / 3D |
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Kenjin Kojima Project: The Sound of Snow Park The
soundtrack music was created from the video image. The software which
was programmed by the artist captured and compared the brightness data
of 84 divided image areas in every 4 seconds then the two largest
different data were converted to musical notes and played by midi
instruments. The video shows used binary date in a white line square. |
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Lisa Naas Edinburgh. UK www.inconcertwithglass.com https://vimeo.com/131593131 Project: SORROWS Aiming to entice the viewer with macro images of glass and a haunting soundscape created entirely from human voice,SORROWS exposes an internal world of personal thought that insists upon an external expression. Taken as a whole, the video exists on two planes: first as a platform to explore the intangible idea of sorrows in glass, sound, light, and movement, and secondly as a documentary of a singular artistic process from the artist's perspective. Using footage from the Sorrows Release Installation (Edinburgh College of Art, 2015), SORROWS is abstract in both visuals and audio. It is comprised of three short segments that move from an internal world to an external world with a bridge between the two in the form of a poem. SORROWS examines the passage from creative concept in the mind to work realization where viewers are given glimpses of the final, realized glass installation, a collaboration between artist Lisa Naas and composer David Faleris. Viewers will see the concept behind the Sorrows Release project take shape from Lisa's perspective on sorrows, those flutterings of pain and memory that live in the recesses of the mind and move to the fore when triggered. Sorrow is part of the human condition, experienced individually but connecting us collectively. Juxtaposing the interior with the exterior, clarity with confusion, tension with release, movement with stillness, and cacophony with quiet, SORROWS strives to embody the complicated, organic emotions around sorrows. tag: videoart |
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Pim Zwier Project: They Call Us the Enemy Shining
boots and buttons, epaulettes and stripes on shoulders and sleeves,
medals pinned to the chest, a confident look in the eyes and belief in
their own supremacy. The theatrical pomp and circumstance, ceremonial
traditions, spotless uniforms and accompanying attributes, which the
military uses to present itself, contrast sharply with the devastation
and chaos it causes |
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Pim Zwier Project: Alles Was Irgendwie Nützt A
multitude of animals brought together in a rhythmical sequence of
photographs. The images blend together similar to the cross breeding of
animals. An accumulation of bygone days, captured in photos, in which
the animals are replaceable, but the same employees frequently reappear. |
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Ralph Klewitz Project: WZ85_Perf1 The video sequence, fading-in from black, reveals a section of grassland. I start digging a hole and continue until I achieve the intended dimension. Subsequently I put the trowel aside, grab a jar of raspberry jam, and spoon out the contents into the hole. Afterwards I scoop back the soil, flatten the grass surface and then walk away. The frame remains for a while until the image fades-out into black. |
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Francesca Leoni and Davide Mastrangelo Project: Androgynous Androgynous
is fragile, because we are fragile, because our skin, and our fight to
meet and connect with the others is fragile. The need to claim our
individuality can, sometimes, lead to a certain estrangement and
alienation. Although we are connected and speak the same language we
are often unable to communicate with the other. Androgynous, begins
with the union of individuals and become an archetype. Its only in the
acceptance of the differences- possible only with the true individual
freedom- that each one of us can find its own true self. datos
tecnicos: Directors: Francesca Leoni and Davide Mastrangelo DOP: Mattia
Barbati Sound: Adrea Lepri Make up: Massimiliano Bolcioni Editing:
Francesca Leoni and Davide Mastrangelo |
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Luigia Cardarelli |
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