Osvaldo Cibils
Trento / Montevideo. Italy / Uruguay
http://osvaldocibils.com/paesaggiozoomin3/index.html
https://youtu.be/m1bv64VxYKo
https://archive.org/details/paesaggiozoomin3 http://osvaldocibils.com/paesaggiozoomin3/index.html

Project: Paesaggio zoom in 3

Videoart con la edición sistematizada de veinte performances con paralelepípedo muy sutil realizadas en diferentes lugares de las ciudades de Trento y Montevideo durante el mes de mayo de 2015.

tag: videoart

Tushar Waghela
Durg. India
http://tusharwaghela.blogspot.in

Project: The Home

The home where we live is also a home to billions of living beings. They might remain out of our vision, their sounds and signs continuously register their presence before us. We believe ourselves to be the owner of our apartments and push them away from our kitchen and courtyard. Barely do we realise that much before we came into existence this planet has been their domicile for billions of years, our apartments are just a tiny corner of their vast habitat.

Direction: Tushar Waghela
Editing & VFX : Tushar Waghela
Sound & Music – Tushar Waghela
Shooting - HD – 1920 x 1080 , stereo sound
Localización Location: Durg, Chhattisgarh , India

tag: videoart

Katrina Stamatopoulos
London. UK
http://katrinastamatopoulos.net/
https://vimeo.com/122260429 https://www.youtube.com/watch?v=NPwtf55Jqp4

Project: Transmission ring

Self-distributed summary: Transmission ring explores overlooked moments in city environments, reclaiming potentially missed signals within our 'noise'-filled environments. Acknowledging and embracing the unique interactions that take place between movement/ vision and sound/ vibration, this film occurs between the signals, objects and bodies that are located amongst city spheres. Viscerally connecting us to a cityscape we are perhaps unaware of, the images of this film travel through and amongst flesh, mechanics, communicative signals and ideals of beauty. Whilst the sounds, sourced from electronic, electro-optical & electromechanical devices such as radio towers, power stations, telegraph wires, neon lights, microwaves and mobile phones, reference the electromagnetic spectra of our cities. Transmission ring is part of an audiovisual collaboration between two Australian artists based abroad. London based artist Katrina Stamatopoulos and Vancouver based artist Alexandra Spence navigate notions of geographical identity coinciding with a globalized existence. It is part of an ongoing project that explores the delicately complicated link between sound and the moving image.

tag: videoart

Cesar Baio
Fortaleza. Brazil
http://cesarbaio.com/single/
https://vimeo.com/user3671289

Project: São Paulo - Belém

São Paulo - Belém is a single channel video part of the series Spaces of Failure.

It is a multimedia project done from fails of panoramic photographs taken with a mobile phone. Each image is composed of about fifty photographs post processed by apps to capture panorama, which make use of artificial intelligence algorithms in order to rebuild the linear geometry of the photograph in one image only.

Instead of following the instructions to obtain a “good” panorama, I test the limits of those algorithms, which end up fitting some things in the wrong places. From this impingement between the unexpected use and the program, boisterous, discontinuous and lacunar landscapes arise, which invite us to think about the role of technologies in the ways that we build, we perceive and we represent the spaces that surround us.

The series brings together images shot in urban centers from different regions of the country, encompassing from icons of Brazilian’s modern architecture to places where the modern project comes up against the limits imposed by the socio-economic disparity, by the immensity of the natural forces, by the cultural differences, which allows to highlight the heterogeneity of enrolled becomings in spatiality of cities.

tag: videoart

Dan Boord / LuisValdovino
Boulder, CO. USA
http://www.vimeo.com/113564005
Production company: Dan Boord/Luis Valdovino
Distribution company: Dan Boord/Luis Valdovino

Project: At Thirty, the Party Was Over

At Thirty, the Party Was Over is a response to the contemporary poetry of South Korea. The title refers to a poem by Choi Young-mi.

Everything in Seoul, Korea seems to talk to you, elevators, escalators, tollbooths, crosswalks and rice cookers. One history also speaks to another, tourists with Samsung cell phones populate a ninth century temple while camera crews at another historic site film a program about a 15th century palace.

The past speaks through the present as a monthly civil defense drill reminds us of a state of war. A Japanese postcard recalls the thirty-five years of colonization of Korea by Japan. The present speaks to the past telling it that the city of Gwangju will not be forgotten. In At Thirty, the Party Was Over a restaurant is emptied to make room for the memories of all that happened and the songs to be completed at the next party

Poems:
A Rough Sketch of Autumn, Hahn Dong-seon
At Thirty, the Party Was Over, Choi Young-mi
A Page from My Childhood Journal, Choi Young-mi
Landscape, Hahn Dong-seon
In a Subway # 4, Choi Young-mi

Narration: Min Kumsa
Photographs: Busan Museum, Busan
Korean Traditional Folk Singer: An Taeok
Production Assistance: Suh Misuhng

In Appreciation:
Artsonje Center, Seoul
Center for Digital Image & Contents, Dongguk University, Seoul
Chang Kyungok, Hanyangsikdang Restaurant, Uijeongbu
Changju Sunim, Monk in Haeinsa Temple, Hapcheon
Kim Raehee, Toss English, Seoul
Junior Burke
Choi Sujung
Han Keumhyun
Im Daehee
Jung Soonryul
Kim Euikyung
Kim Jwayoung
Kim Kyunju
Kwon Younghee
Lee Youngjune
Paik Sangik
Roh Younghee
Seo Boyoun
Suh Jiyoung
Suh Kwangbum
Yoo Eunyoung
Yoo Jungju

tag: videoart

Diego Garro
Keele. UK
http://www.keele.ac.uk/music/people/diegogarro/
https://vimeo.com/81707952
Production company: Diego Garro

Project: Dammtor

Dammtor es una obra experimental de música visual basada en el poema del mismo título de James Sheard, que cuenta una historia vívida de recuerdos, nostalgia y desolación en el antiguo terminal de viajes en el Rotherbaum barrio en la ciudad de Hamburgo. La película cuenta con materiales de audio y vídeo asociados con las palabras, las metáforas y la esencia global del texto. Grabaciones de actores de voz, lecturas y susurrando pasajes del poema, cuentan predominantemente en el montaje. Las voces recitativas inician meditaciónes visuales y sonoras sobre las instantáneas, de otro modo desnudas, evocadas por el poema. Así los versos, las anécdotas sónicas y la imaginería todos enredan en una trama de alusiones recíprocas.

Sin embargo, el asunto de esta película no es la revelación de una verdad oculta detrás de los hilos desconectados del poema; es, en vez de eso, saborear con nuestros sentidos las desavenencias que el poema se abre en medio de un relato tácito: esta no es una historia ... pero una historia acerca de una historia.
Composición audiovisual en tres partes. Basado en un poema de James Sheard

Compuesta en 2013 en la Universidad de Keele – laboratorios de Tecnología Músical y Multimedia Creativas (Reino Unido). Con el apoyo de Keele University – Research Institute for the Humanities. D

tag: videoart